Official Release Date & Cover Reveal

It’s finally here. Or at least it will be within a month.

Living Legend has received fairly consistent work for years. The original draft was started back in 2011. To be fair, it sat for a bit after that and wasn’t picked up again until 2013.

Even so, 2 years of waiting has been tough. Several drafts, alpha readers, more drafts, beta readers, another draft, hiring an editor, final changes, cover design, book layout, proofing, and it still doesn’t seem like my work is done, but it does feel like the book is ready; the best that it can be.

September 19, 2015 is the official date, and I couldn’t be more excited.

Those of you who follow my Facebook page may have already seen the book’s cover, but if you haven’t, this post mark’s the official reveal:

LL_digicover_HR

 

It’s nerve-wracking and will grow more and more so as the date approaches. This little project that I’ve been working on for so long, and love so much, is getting closer to being out in the world where people can say things like, “It sucks” and “I didn’t even bother finishing it.”

I’m not delusional. I know there are people who will say things like that, and worse. There’s a protective side we authors have that tries to come out at negative reactions. To the average reviewer, it’s just another book. To the author, it’s almost as precious as a family pet. It’s not just some words on a page, it’s a piece of me out there. People will be insulting a piece of me.

There are two solaces I can take in the situation. One is that I’ve heard/read that even the biggest authors in the industry still share this very same anxiety when their latest work is about to go on the market. With that being the case, these feelings can be filed under ‘natural’ and not given too much time and attention.

The second is that there will be other people who can’t stop raving about the book. They’ll write a great review and tell their friends about this great book they read. And those are the reactions writers live for.

…and the geek shall inherit the Earth!

I’m a huge geek. It’s a fact I’ve never bothered to hide, but this might be the first time I’m telling the entire internet. Some might say nerd is the proper word, but at this point any differences between the two words is just semantics.

There’s never been a better time be a geek. Not because everything geek culture has become cool. That’s more of the result.

All the properties, stories, characters, etc, that are being made into movies and television shows are the things that geeks and nerds have been living on for years, sometimes decades.

Before the Avengers came out as a movie, if a comics fan started talking about the origin of Iron Man most people would grow glassy-eyed and walk away. The thought that went through someone’s head was probably, “This is all about something I don’t, and won’t, care about.”

Now, with the theatre being dominated by characters originating from 4-color sources, the perception has changed. A similar comic-related tirade is likely to be listened to with the thought, “This is really cool stuff about that movie that I liked.”

Most people won’t roll their eyes when they find out the original ninja turtles all wore red bandanas or that their origin is tied directly to the Daredevil’s. There’s no more snickering when people find out how many Robin’s Batman has trained and that one of them died based on the decision of comic book readers.

It turns out that the things that appealed to all of us geeks and nerds appeal to every one else too. They just didn’t know it.

Kill License

The woman applying for her license was sweating a lot. Understandable with the circumstances being what they were. The average person only applied for one kill license in their lifetime. Some never did.

As a Kill License Officer, the first thing Mortimer Larkin learned was not to let sympathy skew the picture. If he approved every applicant based on a one-sided story the firm would be in debt within a month. Risks had to be considered every time.

He cleared his throat and spoke without looking up from the paperwork. “The intended target… Mr. Winslow?”

“My Husband,” she said.

“Of course,” he said with a nod. “I didn’t want to assume.”

“It’s common, is it?”

“The most common of all.”

He scribbled a few numbers down on his notepad and flipped to the second page of the application.

“Sad,” Mary said.

“Huh?” He looked up from the paperwork and saw sadness on her face. “Oh. Yes. An unfortunate result of the societal statistics, I think.”

Other common applications were for a brother, a sister, father, uncle, and every other possible family member. It’s where the phrase, ‘Kill the ones you love’ came from. He had even handled an application for a man seeking to kill his grandmother. Fastest decline he had ever done.

“You haven’t written anything under applicable experience,” Mortimer said.

Mary’s gaze dropped to the kleenex she was wringing in her hands. “I don’t have any. I’m a homemaker. I was a homemaker.”

“Have you ever fired a gun?”

She shook her head.

Mortimer sighed and added a few numbers to his notepad. He was confident what the numbers would come out to, but he would still do the math.

“You haven’t listed a reason.”

“Not sure what to call it,” she said, dabbing the tissue at the corner of her eye.

“Can you describe it?”

“There’s another woman.”

“Adultery.”

“And another house. Three kids. An entire other life. I don’t even know if she’s the other woman, or I am.”

He paused with his pen hovering over the form. She had a point. It seemed more of a betrayal than adultery.

“For the sake of the form, I’m going to put general abuse.”

She nodded and dabbed another tear away.

“Almost done.” He spared her an emotionless smile and fed her application into the built-in scanner on his station. Within seconds her file appeared in front of him.

As he expected, it was a by-the-numbers denial.

“I’m very sorry, Mrs. Winslow, but—”

A distinct tone sounded once in his ear piece and was gone.

“But, I’m going to need you to excuse me for one moment.”

She nodded and continued to twist the remains of her tissue.

Mortimer crossed the office, to the hidden door at the very back, and knocked once.

“Enter.”

Mortimer opened the door and left the drab walls and mood-dampening lighting and walked into an even more depressing office. Hope was among the emotions the firm’s decor was designed to suppress, but this office evoked true hopelessness.

Behind a desk in the middle of the room sat a woman hunched over her desk screen, monitoring reports that never stopped scrolling by.

“You wanted to see me, Ms. Brubacher.”

The woman behind the desk looked up as if Mortimer was interrupting her in the rudest possible way.

“You were about to decline Mrs. Winslow, were you not?”

“Of course. You’ve seen the numbers.”

Ms. Brubacher’s job was to monitor all applications, past and current. Not a single approval or decline happened anywhere in the firm without her knowing about it.

“Indeed I have, and by those numbers you are right in your conclusion. However, this morning I received a carbon copy of an approved kill license. Theodore Winslow was approved for the murder of Mary Winslow.”

“I see.”

“I’ve made the necessary changes to her file and the approval package will arrive at your desk in three and a half minutes.”

“My thanks,” Mortimer said, taking two steps backwards before turning to leave the office.

When two applicants applied to murder each other, if one was approved, they both were. It was automatic, regardless of the numbers. The risk of approving one and not the other was irresponsible. The majority of scenarios would show Mr. Winslow killing Mrs. Winslow, but if the firm moved only to support one of those scenarios and she killed him, the firm would take a loss.

The other rule when two people applied for each other’s lives was that neither applicant was told about the other.

“Good news, Mrs. Winslow. Your application has been approved.”

Mary’s head popped up as Mortimer sat down at his desk. She didn’t smile, though her shoulders came up out of their stoop.

“I didn’t think…I just…”

“It’s okay,” Mortimer said.

Mortimer placed three forms in front of Mary and showed her where to sign. He asked her to place her hands on the desk and scanned her fingerprints into her file.

Just as she initialed the last required spot an armed guard marched over and placed a black box on Mortimer’s desk.

“My thanks,” Mortimer said and the guard spun and marched away.

“Is that…?”

“Yes.” He slid it over to sit in front of Mary and pulled back the lid. Inside was a simple handgun and three rounds.

“This is it?” Mary asked. “Three bullets? What if I miss? I’ve never fired a gun before.”

“This is what you were approved for. I can file an appeal if you’d like to come back next week.” He nudged the box forward. “I wouldn’t recommend it.”

Mary reached into the box and pulled out the gun. It looked awkward in her hand. She studied it with disgust on her on her face.

“Would you like someone to show you how to shoot it?”

“No, but could someone load it for me?”

The thought of a distressed woman sitting mere feet from him with a loaded gun was less than desirable, but he still loaded the three rounds and handed her the gun. If she even pointed the gun at him an security turret would put her down.

Mortimer walked Mary to the front door. She began to weep but, as he was trained, he kept it professional.

“We’ll be in touch next week about the insurance money. If you decide to cancel the license I’ve included the appropriate number in your package.”

She stepped out the front door without a word in response and stood on the sidewalk. Mortimer watched her through the window and wondered why she wasn’t heading home, or wherever she thought her husband would be.

Instead, she pulled out her phone, pressed a few buttons and tossed it on the ground.

She just stood there, hand inside of her purse, waiting.

Odd, Mortimer thought as he strolled down the hall to the coffee machine.

He spent some time scrolling through the news feeds on the company screens, refilled his coffee and walked back down the hallway. He approached the front windows again to find Mary Winslow still standing out front. He had to admire her resolve, whatever her reason. He couldn’t remember the last time he had to wait more than 90 seconds for something.

He was about to walk back to his desk when he saw a car speeding through the parking lot. The tires squelched with a recklessness that meant the auto-drive was off. The front end of the car wavered left and right as the car straitened out and sped straight toward Mary.

She stood with an outward appearance of calm. Mortimer couldn’t see her face, but he imagined there was fear there. The car was mere feet from her.

Sonic bollards flared to life in front of Mary and the car stopped immediately. Mr. Winslow did not. He flew through the windshield in a shower of glass and landed on the pavement at Mary’s feet.

Mortimer smiled. She was smarter than he originally estimated. Nothing in the numbers anticipated a move like that.

Theodore Winslow was still alive, but he wouldn’t remain that way. Mary pulled the gun from her purse and pointed it at her husband’s head.

She’s done it, Mortimer thought.

She only had to pull the trigger. The gun shook in her hand.

Theodore Winslow rolled over, groaning. Blood poured from a gash in his hairline. He sputtered a few words, accompanied by frothing blood.

“Bitch!” was the only discernible syllable.

He pulled a gun from his jacket, and still Mary hesitated.

Two gun shots sounded and Mary went stiff. She dropped to her knees with one hand covering the bullet hole in her stomach. With confusion on her face, she fell on her side and lay still.

Not the likeliest of scenarios, but it was the predicted outcome.

A few hundred years ago, when the human race was still trying to shed its barbaric nature, kill licenses didn’t exist. People used to murder each other on a whim and then it would take a court months, if not years, to sort the whole situation out.

Theodore Winslow struggled to his feet. He winced when putting weight on his right leg and opted to hobble on the left.

His eyes met Mortimer’s. Mr. Winslow looked to be holding back some nasty comments. He flexed his fingers around the handle of his gun. Mortimer took a casual drink from his coffee, never breaking eye contact.

There was a slight movement from the ground. Mary struggled to lift her gun. It shook, trying to drop back to the pavement, but Mary didn’t let it. The first bullet grazed Theodore’s arm, spinning him around to face Mary.

His arm was still moving to level his gun when a second bullet bore deep into his chest. He fell backwards and did not move again.

Mortimer looked down at Mary and smirked. He underestimated her twice and she proved him wrong as many times. She didn’t even use all her bullets.

Help was on the way. The firm’s security system would have sent a call the instant the car hit the bollards. If Mary held on a little longer, she’d live.

Mortimer took another sip of coffee and noticed more movement from the ground.

Mary was looking up at him, eyes hard. She pointed her gun at Mortimer’s chest.

He raised on eyebrow and wondered what she was thinking. Two gunshots rang out.

The second was from an outdoor security turret mounted above the building entrance. It registered a threat to an employee and executed its protocol.

The first shot had come from Mary’s gun. It had been on target, speeding toward Mortimer’s heart. Mortimer hadn’t flinched as the bullet bounced off the firm’s security glass.

Her arm, and the gun, fell back to the pavement. Mortimer looked at Mr. Winslow and then at Mrs. Winslow before turning to walk back to his desk.

He smirked. Double payout.

L is for Living Legend

My second novel, Living Legend, is a project that I’m extremely proud of, and one that is starting to feel like it will never be published.

I’m far more patient than I was when I published my first novel in 2010, but it still seems to be taking too long!

The original draft was started in 2011. It’s was dropped, picked back up again, pushed aside and finally finished in 2013. The next year was spent on re-writes, waiting for beta-readers, and more re-writes.

As I write this post, it’s coming back from editing and the final re-writes are about to begin.

This is all a very wordy way of saying, it’s coming. And it’s coming this year. I’d like to tell you it’ll be out next month, but I don’t want to rush it before it’s ready. All I can tell you for now is that it’ll be this year and that when I have a better idea of the release date, you’ll hear about it.

Hell, you might even get sick of hearing about it. Posts, contests, more posts, cover reveals, and even more posts.

Are you excited yet? I am!

K is for Kill License

I have a short piece of fiction for you today. This is part one of a story that you can read more of later this month. I hope you enjoy it:

 

The woman applying for her license was sweating a lot. Understandable with the circumstances being what they were. The average person only applied for one kill license in their lifetime. Some never did.

As a Kill License Officer, the first thing Mortimer Larkin learned was not to let sympathy skew the picture. If he approved every applicant based on a one-sided story the firm would be in debt within a month. Risks had to be considered every time.

He cleared his throat and spoke without looking up from the paperwork. “The intended target… Mr. Winslow?”

“My Husband,” she said.

“Of course,” he said with a nod. “I didn’t want to assume.”

“It’s common, is it?”

“The most common of all.”

He scribbled a few numbers down on his notepad and flipped to the second page of the application.

“Sad,” Mary said.

“Huh?” He looked up from the paperwork and saw sadness on her face. “Oh. Yes. An unfortunate result of the societal statistics, I think.”

Other common applications were for a brother, a sister, father, uncle, and every other possible family member. It’s where the phrase, ‘Kill the ones you love’ came from. He had even handled an application for a man seeking to kill his grandmother. Fastest decline he had ever done.

“You haven’t written anything under applicable experience,” Mortimer said.

Mary’s gaze dropped to the kleenex she was wringing in her hands. “I don’t have any. I’m a homemaker. I was a homemaker.”

“Have you ever fired a gun?”

She shook her head.

Mortimer sighed and added a few numbers to his notepad. He was confident what the numbers would come out to, but he would still do the math.

“You haven’t listed a reason.”

“Not sure what to call it,” she said, dabbing the tissue at the corner of her eye.

“Can you describe it?”

“There’s another woman.”

“Adultery.”

“And another house. Three kids. An entire other life. I don’t even know if she’s the other woman, or I am.”

He paused with his pen hovering over the form. She had a point. It seemed more of a betrayal than adultery.

“For the sake of the form, I’m going to put general abuse.”

She nodded and dabbed another tear away.

“Almost done.” He spared her an emotionless smile and fed her application into the built-in scanner on his station. Within seconds her file appeared in front of him.

As he expected, it was a by-the-numbers denial.

“I’m very sorry, Mrs. Winslow, but—”

A distinct tone sounded once in his ear piece and was gone.

“But, I’m going to need you to excuse me for one moment.”

She nodded and continued to twist the remains of her tissue.

Mortimer crossed the office, to the hidden door at the very back, and knocked once.

“Enter.”

 

Part 2 can now be found here!

J is for Joker

Each month, when DC publishes their titles, some are published with a variant cover. These covers have their own history, but I’m not looking to get into that today.

As of late, DC has been giving a theme to their variant covers. It’s usually something fun, sometimes goofy, even with the more serious titles. Last month’s variants, for example, were based off of famous movie posters.

This month, they’ve chose the Joker as the variant cover theme. 25 covers were designed, all influenced by the Clown Prince of Crime, who is probably the most famous comic book villain in all of history. Instead of blabbing on and on, I’m going to shut up and let you enjoy the covers.

ACTIONCOMICS-joker_variant WONDERWOMAN-joker-variant THEFLASH-joker-variant TEENTITANS-joker-variant SUPERMAN-WONDERWOMAN-joker-variant SUPERMAN-joker-variant SINESTRO-joker-variant SECRETSIX-joker-variant NEWSUICIDESQUAD-joker-variant LOBO-joker-variant JUSTICELEAGUE-joker-variant JLA-joker_variant HARLEYQUINN-joker-variant GREENLANTERN-Joker_variant GREENARROW-joker-variant GRAYSON-joker-variant GOTHAMACADEMY-joker-variant DETECTIVECOMICS-joker-variants DEATHSTROKE-joker-variant CATWOMAN-Joker_variant BATMAN-SUPERMAN-joker_variant BATMAN-joker-variants Batgirl #41 joker variant DC Comics withdrawn, art by Rafael Albuquerque AQUAMAN-joker-variant

I is for Inspirational Music

When writing, I usually listen to music. It does a lot to guide the scene and evoke the emotions I’m looking for. I can only hope that the emotion I feel from the music translates into the writing.

The type of music I’ll use varies based on the scene. If it’s an action scene I listen to fast-paced, suspenseful music. Sad scenes need break up songs. Confrontational scenes are best accompanied by angsty rock.

I even have playlists set-up that correspond with each type of scene I write, and have gone as far as making playlists for specific characters. I go through my library and pick out the songs that character would have on their iPod. That only becomes difficult when I run into a character who doesn’t care much for music. Yes, they do exist.

The other inspiration I get from music is the desire to actually sit down at the keyboard and do it. I love writing but, like with anything else, there are days when I just don’t want to do it. I want to be lazy. I want to sit in front of the TV and watch 3 episodes of the Walking Dead or spend a few hours reconnecting with my XBOX.

I’ve found certain songs make me feel like sitting down and putting in the time to get my writing done for the day, and it’s usually surprising where it comes from.

I’m a huge fan of Macklemore’s album entitled The Heist. I know what you’re thinking: Isn’t that the guy who did that song about the Thrift Shop. Yup, that’s him. But beyond that, you’ll find songs with powerful messages supporting gay rights, anti-violence, and dealing with addiction.

The ones that I gravitate toward most talk about how he got to where he is. How it took dedication and hard work because no one would do it for him except. This is a message that transcends music and can be applied to just about anything.

Before you go and buy this album, be warned, it’s a rap album. It’s not the usual rap that condones drugs and gang violence, but it is still rap. There’s also swearing. It’s not overdone like a lot of rap is, but it’s there. So if you don’t like rap or swearing, we’ll have to find you some other kind of music.

Lately, I’ve been finding what I need in instrumental pieces. Not classical, but still orchestral pieces. I’ve been finding most tracks from television and motion picture soundtracks. That lead me to some of the composers that are working today.

Music like this is much more versatile. Without words to get in the way, a song can mean anything to anyone. It can change, meaning one thing today and another tomorrow. A single song apply to a somber scene as well as an inspirational one.

If you want a place to start, sample some songs from the soundtracks of Inception, Sunshine, 28 Days Later, and Doctor Who. This will lead you down a rabbit hole of other soundtracks done by those composers as well as music not made for TV or movies.

I want to hear some comments on what kind of music gets you going. I need some new stuff to keep me writing!

Tomorrow, I put the J in J.W. Martin!

H is for Hurst. Alex Hurst.

With the wide-reach of the internet, it’s easy to connect with hundreds, if not thousands, of people who share your passions. I found mine in the online group Fiction Writers Group on Facebook.

One of the people I found connection with is Alex Hurst, an American writer living Japan. She has a passion for fantasy writing and a seemingly tireless work ethic. No matter how many projects Alex was already on, she was still usually the first to volunteer for another. Ever helpful, Alex is always there will some advice, a helpful link, the answer to a question, or some encouraging words.

Let’s have a chat with Alex:

What made you start writing?

Always a tough question. I think a lot of writers would say that writing is something that they needed rather than chose, and I certainly fall into that category as well. Characters are always talking, plotlines must be caught before they drift away in the ever-revolving carousel that is my mind. Getting it out on paper is simply satisfying, and it’s something that I sort of just fell into the moment I learned how to spell.

Where do you draw your inspiration from?

Everywhere. When I was on a roadtrip to Colorado once, I saw a truck company logo, and promptly stole their name, Ruan, for a character. In particular, little bits of speculation in conversation always give way to the fun ideas for flash fiction. But I think the most important thing for me is daydreaming. Most of my plotting and doctoring happens while I’m walking, commuting, listening to music, or jogging.

Who are your favourite authors?

I love a lot of the classic authors, of course: Herman Hesse, Edgar Allen Poe, Murasaki Shikibu, Akutagawa Ryunosuke, Cao Xuiqin––but I’m also fond of modern authors, like Jane Yolen, Irene Radford, Neil Gaiman, as well as indie authors Sarah Diemer and GT Lines.

What are you willing to share about your writing process?

I’d be happy to share it, though it’s not the most effective process, haha.

Generally, if I’m working with a predetermined theme for an anthology or some such thing, I build my ideas around that. Sometimes I go for tongue-in-cheek, and other times I consider the social ramifications of the setting. Above all, though, I try to build up a main character that is fun and interesting in some way. My story usually evolves through the character, so the character building is the most important part.

Of course, sometimes this means I have a great character, but no story to place them in, so I have to go back to the drawing board. And that’s okay. My first published work, “The Bell Tower” in Writers’ Anarchy I, was actually a repurposed character and plot from another project that never went anywhere. So, nothing gets thrown away, it just takes a long time to complete something that I’m satisfied with.

Where do you like to write?

The place I’m writing doesn’t matter as much as the noise level. I write very poorly when I’m distracted by another person nearby or noises outside, or my dog, etc., so it’s important for me to be in a place that is quiet and well-lit. Part of the reason for this is that even though I’m a fast typer, my brain still moves faster than my fingers, and noises sometimes distract me before I can get a phrase of words I really like down. Things like that make me lose my momentum. If I can get both of those things, then I can write easily.

What do you prefer to write? (short story, novel, poetry, etc.)

Though I long to complete my first novel, short story writing seems to come easiest to me, so for now, all of my work is under the 8,000 word range. A lot of that has to do with stamina and patience, both of which I am admittedly lacking in at present, but those are workable issues, and I am slowly but surely pecking away at my novel-length WIP.

Who do you trust to read your writing first, how does that person provide feedback, and how will it affect the finished product?

The first gatekeeper on any of my work is my girlfriend. We have an understanding that she is to be merciless, and she always is. It is very rare for me to send my second draft to her and not get it back littered in red, and that’s exactly what I want. I love having my stuff ripped apart by trusted people; it’s all about growing and challenging myself, and I’m never going to get any better if I decide what I do now is the best it’s ever going to get.

What have you written and where can people find it?

Though I’ve written a lot in my lifetime, not much of it has seen (or will ever see) print. Nonetheless, the some works that have actually made it passed my intense scrutiny, and links to all of those can be found at http://alex-hurst.com/works/. I write primarily character-driven fantasy, though my short fiction leans more heavily into the speculative fiction and contemporary genres. I also write LGBT fiction.

Tell us more interesting stuff about yourself?

I suppose there are a few things that might be interesting about me. I was born in Louisiana, but raised in the Bay Area. I majored in Japanese at UC Berkeley and then moved to Kyoto with my Canadian girlfriend, where we’ve lived for the last four years.

I only started immersing myself in the professional writing community a year ago, but since then, I have become the admin of a fiction writing group (where I had the pleasure of meeting J.W. Martin), was the editor of the eco-horror anthology Growing Concerns put together by Chupa Cabra House, and have been the compiler and designer for all three of the Writers’ Anarchy anthologies, as well as the digital designer for Flash It!, both sponsored by Fiction Writers Group. It’s been a busy year!

During my spare time, I keep up with my blog at alex-hurst.com, where I write various posts about life in Japan and writing, as well as interview traditional and professional cover artists that are willing to work with indie authors. I’m hoping that eventually my catalog will help authors find quality, vetted illustrators for their work.

Oh, and I also run an inexpensive formatting and book-doctoring service at http://countrymousedesign.com.

Some people call me a machine but, I just like to stay busy!

Follow along with Alex on her blog: alex-hurst.com

G is for Guardians of the Galaxy

Marvel is doing an incredible job in the movie world.

As a comic book fan, I cared about way more comic book characters than most people I knew, but Marvel reached down deep and made me, and millions of others, care about the obscure and unheard-of characters like the Guardians of the Galaxy.

I didn’t even know who made up the Guardians. I knew the name Rocket Racoon from somewhere. Now they’re the biggest thing to come out of 2014.

Marvel’s not done yet. By 2019 you’re also going to care about Ant-Man, Doctor Strange, Black Panther, Captain Marvel, and The InHumans. You might think you won’t, but you probably will. Marvel has invented come kind of machine that feeds on obscurity and creates pure genius.

What might be even more interesting than that, are the actors playing these heroes, becoming real-life heroes.

Chris Pratt can’t hide his shame as he showed up at the Boston’s Christopher’s Haven cancer charity dressed as Star-Lord.

Chris Evans and Chris Pratt are champions of charity and good will. Always donating time and money to help those less fortunate. One of the most recent events happened around the Superbowl. The two placed a bet, Pratt favoring the Seattle Seahawks and Evans rooting for the Patriots.

The stake was not cash. The loser would dress as their famed character and visit a children’s hospital of the winner’s choice. Though it didn’t quite end that way.

Chris Evans dressed as Captain America, and accompanied by Chris Pratt, visiting a Children’s Hospital in Seattle.

Not only did Pratt go through with his punishment, which he seemed to enjoy, Evans still dressed up as Cap and went to the hospital of Pratt’s choice. Talk about a superhero team-up.

If that wasn’t enough, the actions of these two inspired people. Fundraisers sprouted up for the two hospitals and raised over $27,000.

I’ve always liked these guys in the roles they’ve played, especially Star Lord and Cap, but stuff like this truly makes me a big fan.

Now, what the H will I wrote about tomorrow?!

F is for FA, a long long way to run

I’m not an expert on the sport/hobby of running. And what I’ve learned over years of off and on running is that no one is an expert. When it comes to running, particularly correct form, no one knows what they hell they’re talking about.

Sure, that sounds cynical, but I don’t mean it that way.

There’s an entire spectrum of opinions out there, all based on running, and all of them are right, but they’re also wrong. Confused? Me too.

An expert in his field, respected by all of his peers, may step forward and say that forefoot running in the only proper way for human beings to run. It’s the way the body was meant to work. Any other way is against the human design.

Like any man of reason, he will have various sources of proof that all support his theory.

Another expert in her field, respected by her peers, could then step forward and say that mid foot running is the only proper way. It’s how the body was meant to work. Anything else is against blah, blah, blah.

As a woman of reason, she’ll have plenty of proof.

So with all that data to prove they’re both right, how could either be wrong? Don’t expect me to go into an answer, cause I don’t know. Both are smarter than I am, so who am I to say which is wrong?

The only theory that makes sense to me is that what works for one will not work for another. A percentage of runners will find best results and comfort with forefoot. Others will find their zone in mid foot. There’s still heel-toe, barefoot and other styles of running that I haven’t heard of or haven’t been invented yet.

They’ll all work, for someone. Try it all and keep with what hurts the least.

What will tomorrow’s post be? G, I wonder…