Official Release Date & Cover Reveal

It’s finally here. Or at least it will be within a month.

Living Legend has received fairly consistent work for years. The original draft was started back in 2011. To be fair, it sat for a bit after that and wasn’t picked up again until 2013.

Even so, 2 years of waiting has been tough. Several drafts, alpha readers, more drafts, beta readers, another draft, hiring an editor, final changes, cover design, book layout, proofing, and it still doesn’t seem like my work is done, but it does feel like the book is ready; the best that it can be.

September 19, 2015 is the official date, and I couldn’t be more excited.

Those of you who follow my Facebook page may have already seen the book’s cover, but if you haven’t, this post mark’s the official reveal:

LL_digicover_HR

 

It’s nerve-wracking and will grow more and more so as the date approaches. This little project that I’ve been working on for so long, and love so much, is getting closer to being out in the world where people can say things like, “It sucks” and “I didn’t even bother finishing it.”

I’m not delusional. I know there are people who will say things like that, and worse. There’s a protective side we authors have that tries to come out at negative reactions. To the average reviewer, it’s just another book. To the author, it’s almost as precious as a family pet. It’s not just some words on a page, it’s a piece of me out there. People will be insulting a piece of me.

There are two solaces I can take in the situation. One is that I’ve heard/read that even the biggest authors in the industry still share this very same anxiety when their latest work is about to go on the market. With that being the case, these feelings can be filed under ‘natural’ and not given too much time and attention.

The second is that there will be other people who can’t stop raving about the book. They’ll write a great review and tell their friends about this great book they read. And those are the reactions writers live for.

Kill License

The woman applying for her license was sweating a lot. Understandable with the circumstances being what they were. The average person only applied for one kill license in their lifetime. Some never did.

As a Kill License Officer, the first thing Mortimer Larkin learned was not to let sympathy skew the picture. If he approved every applicant based on a one-sided story the firm would be in debt within a month. Risks had to be considered every time.

He cleared his throat and spoke without looking up from the paperwork. “The intended target… Mr. Winslow?”

“My Husband,” she said.

“Of course,” he said with a nod. “I didn’t want to assume.”

“It’s common, is it?”

“The most common of all.”

He scribbled a few numbers down on his notepad and flipped to the second page of the application.

“Sad,” Mary said.

“Huh?” He looked up from the paperwork and saw sadness on her face. “Oh. Yes. An unfortunate result of the societal statistics, I think.”

Other common applications were for a brother, a sister, father, uncle, and every other possible family member. It’s where the phrase, ‘Kill the ones you love’ came from. He had even handled an application for a man seeking to kill his grandmother. Fastest decline he had ever done.

“You haven’t written anything under applicable experience,” Mortimer said.

Mary’s gaze dropped to the kleenex she was wringing in her hands. “I don’t have any. I’m a homemaker. I was a homemaker.”

“Have you ever fired a gun?”

She shook her head.

Mortimer sighed and added a few numbers to his notepad. He was confident what the numbers would come out to, but he would still do the math.

“You haven’t listed a reason.”

“Not sure what to call it,” she said, dabbing the tissue at the corner of her eye.

“Can you describe it?”

“There’s another woman.”

“Adultery.”

“And another house. Three kids. An entire other life. I don’t even know if she’s the other woman, or I am.”

He paused with his pen hovering over the form. She had a point. It seemed more of a betrayal than adultery.

“For the sake of the form, I’m going to put general abuse.”

She nodded and dabbed another tear away.

“Almost done.” He spared her an emotionless smile and fed her application into the built-in scanner on his station. Within seconds her file appeared in front of him.

As he expected, it was a by-the-numbers denial.

“I’m very sorry, Mrs. Winslow, but—”

A distinct tone sounded once in his ear piece and was gone.

“But, I’m going to need you to excuse me for one moment.”

She nodded and continued to twist the remains of her tissue.

Mortimer crossed the office, to the hidden door at the very back, and knocked once.

“Enter.”

Mortimer opened the door and left the drab walls and mood-dampening lighting and walked into an even more depressing office. Hope was among the emotions the firm’s decor was designed to suppress, but this office evoked true hopelessness.

Behind a desk in the middle of the room sat a woman hunched over her desk screen, monitoring reports that never stopped scrolling by.

“You wanted to see me, Ms. Brubacher.”

The woman behind the desk looked up as if Mortimer was interrupting her in the rudest possible way.

“You were about to decline Mrs. Winslow, were you not?”

“Of course. You’ve seen the numbers.”

Ms. Brubacher’s job was to monitor all applications, past and current. Not a single approval or decline happened anywhere in the firm without her knowing about it.

“Indeed I have, and by those numbers you are right in your conclusion. However, this morning I received a carbon copy of an approved kill license. Theodore Winslow was approved for the murder of Mary Winslow.”

“I see.”

“I’ve made the necessary changes to her file and the approval package will arrive at your desk in three and a half minutes.”

“My thanks,” Mortimer said, taking two steps backwards before turning to leave the office.

When two applicants applied to murder each other, if one was approved, they both were. It was automatic, regardless of the numbers. The risk of approving one and not the other was irresponsible. The majority of scenarios would show Mr. Winslow killing Mrs. Winslow, but if the firm moved only to support one of those scenarios and she killed him, the firm would take a loss.

The other rule when two people applied for each other’s lives was that neither applicant was told about the other.

“Good news, Mrs. Winslow. Your application has been approved.”

Mary’s head popped up as Mortimer sat down at his desk. She didn’t smile, though her shoulders came up out of their stoop.

“I didn’t think…I just…”

“It’s okay,” Mortimer said.

Mortimer placed three forms in front of Mary and showed her where to sign. He asked her to place her hands on the desk and scanned her fingerprints into her file.

Just as she initialed the last required spot an armed guard marched over and placed a black box on Mortimer’s desk.

“My thanks,” Mortimer said and the guard spun and marched away.

“Is that…?”

“Yes.” He slid it over to sit in front of Mary and pulled back the lid. Inside was a simple handgun and three rounds.

“This is it?” Mary asked. “Three bullets? What if I miss? I’ve never fired a gun before.”

“This is what you were approved for. I can file an appeal if you’d like to come back next week.” He nudged the box forward. “I wouldn’t recommend it.”

Mary reached into the box and pulled out the gun. It looked awkward in her hand. She studied it with disgust on her on her face.

“Would you like someone to show you how to shoot it?”

“No, but could someone load it for me?”

The thought of a distressed woman sitting mere feet from him with a loaded gun was less than desirable, but he still loaded the three rounds and handed her the gun. If she even pointed the gun at him an security turret would put her down.

Mortimer walked Mary to the front door. She began to weep but, as he was trained, he kept it professional.

“We’ll be in touch next week about the insurance money. If you decide to cancel the license I’ve included the appropriate number in your package.”

She stepped out the front door without a word in response and stood on the sidewalk. Mortimer watched her through the window and wondered why she wasn’t heading home, or wherever she thought her husband would be.

Instead, she pulled out her phone, pressed a few buttons and tossed it on the ground.

She just stood there, hand inside of her purse, waiting.

Odd, Mortimer thought as he strolled down the hall to the coffee machine.

He spent some time scrolling through the news feeds on the company screens, refilled his coffee and walked back down the hallway. He approached the front windows again to find Mary Winslow still standing out front. He had to admire her resolve, whatever her reason. He couldn’t remember the last time he had to wait more than 90 seconds for something.

He was about to walk back to his desk when he saw a car speeding through the parking lot. The tires squelched with a recklessness that meant the auto-drive was off. The front end of the car wavered left and right as the car straitened out and sped straight toward Mary.

She stood with an outward appearance of calm. Mortimer couldn’t see her face, but he imagined there was fear there. The car was mere feet from her.

Sonic bollards flared to life in front of Mary and the car stopped immediately. Mr. Winslow did not. He flew through the windshield in a shower of glass and landed on the pavement at Mary’s feet.

Mortimer smiled. She was smarter than he originally estimated. Nothing in the numbers anticipated a move like that.

Theodore Winslow was still alive, but he wouldn’t remain that way. Mary pulled the gun from her purse and pointed it at her husband’s head.

She’s done it, Mortimer thought.

She only had to pull the trigger. The gun shook in her hand.

Theodore Winslow rolled over, groaning. Blood poured from a gash in his hairline. He sputtered a few words, accompanied by frothing blood.

“Bitch!” was the only discernible syllable.

He pulled a gun from his jacket, and still Mary hesitated.

Two gun shots sounded and Mary went stiff. She dropped to her knees with one hand covering the bullet hole in her stomach. With confusion on her face, she fell on her side and lay still.

Not the likeliest of scenarios, but it was the predicted outcome.

A few hundred years ago, when the human race was still trying to shed its barbaric nature, kill licenses didn’t exist. People used to murder each other on a whim and then it would take a court months, if not years, to sort the whole situation out.

Theodore Winslow struggled to his feet. He winced when putting weight on his right leg and opted to hobble on the left.

His eyes met Mortimer’s. Mr. Winslow looked to be holding back some nasty comments. He flexed his fingers around the handle of his gun. Mortimer took a casual drink from his coffee, never breaking eye contact.

There was a slight movement from the ground. Mary struggled to lift her gun. It shook, trying to drop back to the pavement, but Mary didn’t let it. The first bullet grazed Theodore’s arm, spinning him around to face Mary.

His arm was still moving to level his gun when a second bullet bore deep into his chest. He fell backwards and did not move again.

Mortimer looked down at Mary and smirked. He underestimated her twice and she proved him wrong as many times. She didn’t even use all her bullets.

Help was on the way. The firm’s security system would have sent a call the instant the car hit the bollards. If Mary held on a little longer, she’d live.

Mortimer took another sip of coffee and noticed more movement from the ground.

Mary was looking up at him, eyes hard. She pointed her gun at Mortimer’s chest.

He raised on eyebrow and wondered what she was thinking. Two gunshots rang out.

The second was from an outdoor security turret mounted above the building entrance. It registered a threat to an employee and executed its protocol.

The first shot had come from Mary’s gun. It had been on target, speeding toward Mortimer’s heart. Mortimer hadn’t flinched as the bullet bounced off the firm’s security glass.

Her arm, and the gun, fell back to the pavement. Mortimer looked at Mr. Winslow and then at Mrs. Winslow before turning to walk back to his desk.

He smirked. Double payout.

K is for Kill License

I have a short piece of fiction for you today. This is part one of a story that you can read more of later this month. I hope you enjoy it:

 

The woman applying for her license was sweating a lot. Understandable with the circumstances being what they were. The average person only applied for one kill license in their lifetime. Some never did.

As a Kill License Officer, the first thing Mortimer Larkin learned was not to let sympathy skew the picture. If he approved every applicant based on a one-sided story the firm would be in debt within a month. Risks had to be considered every time.

He cleared his throat and spoke without looking up from the paperwork. “The intended target… Mr. Winslow?”

“My Husband,” she said.

“Of course,” he said with a nod. “I didn’t want to assume.”

“It’s common, is it?”

“The most common of all.”

He scribbled a few numbers down on his notepad and flipped to the second page of the application.

“Sad,” Mary said.

“Huh?” He looked up from the paperwork and saw sadness on her face. “Oh. Yes. An unfortunate result of the societal statistics, I think.”

Other common applications were for a brother, a sister, father, uncle, and every other possible family member. It’s where the phrase, ‘Kill the ones you love’ came from. He had even handled an application for a man seeking to kill his grandmother. Fastest decline he had ever done.

“You haven’t written anything under applicable experience,” Mortimer said.

Mary’s gaze dropped to the kleenex she was wringing in her hands. “I don’t have any. I’m a homemaker. I was a homemaker.”

“Have you ever fired a gun?”

She shook her head.

Mortimer sighed and added a few numbers to his notepad. He was confident what the numbers would come out to, but he would still do the math.

“You haven’t listed a reason.”

“Not sure what to call it,” she said, dabbing the tissue at the corner of her eye.

“Can you describe it?”

“There’s another woman.”

“Adultery.”

“And another house. Three kids. An entire other life. I don’t even know if she’s the other woman, or I am.”

He paused with his pen hovering over the form. She had a point. It seemed more of a betrayal than adultery.

“For the sake of the form, I’m going to put general abuse.”

She nodded and dabbed another tear away.

“Almost done.” He spared her an emotionless smile and fed her application into the built-in scanner on his station. Within seconds her file appeared in front of him.

As he expected, it was a by-the-numbers denial.

“I’m very sorry, Mrs. Winslow, but—”

A distinct tone sounded once in his ear piece and was gone.

“But, I’m going to need you to excuse me for one moment.”

She nodded and continued to twist the remains of her tissue.

Mortimer crossed the office, to the hidden door at the very back, and knocked once.

“Enter.”

 

Part 2 can now be found here!

What was the First Thing you Wrote?

There are many answers to that question, depending on how it is looked at.

In 2010, I self-published my first book. I had never finished a novel before then and considered it to be a tremendous accomplishment. I still do. It was also the first time that my work was available to virtually the entire world. And even though I had done it on my own, I felt like an accomplished writer.

I completed my first lengthy project in college. It wasn’t a novel, but it was my first work longer than a short story. It was a screen play. I remember it quite well. Mikeangelo was a script about a small town artist suddenly thrust into a big city world of art shows and galleries. It probably wasn’t very good, but it was over 100 pages and by far the longest piece of writing I had ever produced.

I spent a lot of my college years writing screenplays. I fell in love with the genre and even made attempts to query agents and production companies. The only attention I received was a request from a small production company in Quebec to read one of my screenplays, though nothing came from the interest. Even so, I was walking the path that most professional writers had to walk to become successful.

In my senior year of high school, I took a creative writing course where I wrote many poems and short stories. It was the first time I can recall my work being read by others that weren’t family members or friends. My writing was critiqued by the class, graded by a teacher and I began to identify writing as a process and put that process into effect. My classmates often seemed impressed with what I produced and it made me consider that I might have had some real talent with writing.

The year before, I was placed at our local newspaper for a work program called co-op. Local businesses were provided a small amount of free labour in exchange for a little glimpse of what the working life was like in a chosen industry. I did a lot of gopher work, which I didn’t mind. Eventually, I was assigned a news story. It was an odd experience. The creative things I had been teaching myself for years all needed to be discarded. The editor explained to me that journalistic writing was about facts, not flowery prose. I didn’t like that side of the writing, but I enjoyed seeing my name and my writing in print.

I was still in grade school when I started my first novel. I had had a dream that a kid’s mom re-married an evil warlock. The kid lived like a prisoner, and through the dream I even lived a short while as a fellow captive. The dream stayed with me for weeks. I had to write it, if only to get it out of my head. Though I never finished that novel, I turned the idea into a screenplay in my college years.

The earliest thing I can remember writing was for my sister. I would have been eight or nine at the time and we were on summer vacation from school. During the summers our parents let us stay up a little later at night. One night, she attempted to write something, though I can’t remember what. As if common with younger siblings, I wanted to do what my big sister was doing. She had been complaining about a friend of hers who had been bullying her earlier in the day. I took the details from her encounter and wrote a little story in the style of an America’s Most Wanted monologue.

I remember finishing it and handing it to my sister to read. I was so proud of it. She read it and handed it back saying, “Hm. It’s good.” Thinking back on it now, it was probably awful, but my sister didn’t want to discourage her little brother and gave me the compliment. At the time it was enough to make me feel like a literary genius.

These were all firsts for me, all in different ways. I suppose they all exist as building blocks toward the writer that I have become, just as future projects will hopefully help me to grow even more.

What was the first thing you wrote?

Bad Reviews

Few things in the literary world scare writers more than bad reviews.

A new writer is scared to get even one bad review, thinking it reflects directly on the work he or she has worked so hard on. Authors bleed onto the page to create their books, so when someone speaks badly, it feels personal.

A novice, who’s put a few things out and experienced the full spectrum of reviews, knows that you’re going to get some good ones and some bad ones. You can’t spend too much time on either. That time is better spent on more writing.

Experienced writers, the ones who have been putting books out for decades, have a memorized list of their favourite bad reviews. Ones that made them laugh the most or shake their head in complete confusion.

Regardless of your experience level, bad reviews are usually not anything to get upset about. Every writer from the unknown to Stephen King gets them. The Great Gatsby, which is voted by many experts to be one of the greatest novels of all time, has over 200 1-star reviews on Amazon. Bad reviews are going to happen, and you are going to get them. The key is to understand them.

Some people are just confused about what your book is about. Maybe it was about their reading level and they didn’t understand it, or maybe they had preconceived notions from the first page that never came true. You can’t usually tell who “just didn’t get it” by their reviews. These are the people that will refer to themes and events that you don’t even remember putting into the book. They often don’t even remember your characters names and end up making reference to characters that never existed.

Books pull on the reader’s emotions, and yours may have pulled on the wrong emotion. Any subject could suddenly cause a reader to have to relive a tragic, or at least negative experience. In these cases, the reader is giving a poor review to their own personal experience, not necessarily the book. It’s not the reader’s fault in this case, he or she is simply unable to detach themselves from the subject matter in order to look at it impartially; it’s human. But, it’s also not the author’s fault. You can’t avoid every subject because someone might not like it. If that was the case there would be nothing to write about.

No matter how well you write, there will always be someone who doesn’t like your book. It’s one of the things that makes the human race as diverse as it is. Think of the worst movie you’ve ever seen. That’s someone’s favourite movie of all time. Your book could be perfect and there will still be a group of people that would cross the street to get away from it. That’s okay. It’s just not for them.

And then there are some people are just mad at the world. These people have never said anything good about anything, because to them nothing is good. These reviews are usually easy to pick out as well. They’ll insult your work without stating any actual reason and usually can be summed up as, “This sucks.” These can be the most insulting of all the types of bad reviews, but should also be the first ones to be dismissed.

Now that you aren’t afraid of getting them, you should know that it’s still important to pay attention to bad reviews. You could learn something about your own book. Secrets of Retail was given a bad review on Amazon that shocked me. The reader listed several problems and I was shocked to realize the reader made a lot of good points. I didn’t feel the book needed changing, but I learned some things about the books and characters in the book.

If you start to see a theme developing in the reviews, that could mean there’s an actual problem with the book. Luckily, a lot of readers are nice about it. Not every bad review will be titled, “Boring boring garbage”–which is one I received on Secrets of Retail.

Good readers, and reviewers, who see a problem with a book will review constructively, bring attention to the problem without being insulting.

We live in a world of social media. Platforms exist everywhere for someone to stand on and make their opinion heard. This, mostly, is a good thing. However, these platforms also provide the chance for conversation to take place. This is not as great; especially if you’re a very opinionated writer who feels the need to “fight back.”

For example, anyone can comment on any review on Amazon. An author can actually reply to all the reviews on his or her book. Even though this exists, I recommend you resist the urge to use it. If you feel to need to have a meltdown, cry and shout, or do anything else about bad reviews, do it silently. Starting an argument with a reviewer can only end badly for you.

You are the author of the book these reviews are written about. You have a name, an identity. Most reviewers are almost completely anonymous. If they say something that sounds stupid, trite, or offensive it won’t link back them. Whatever you say could stick to you for the entire existence of the Internet.

Being a Prolific Writer

I’ve been writing for as long as I can remember, but at the age of 33 I still consider myself more student than master. I’ve self-published a book, have another in the final drafts stage, one more is in the writing stage, and there are dozens of ideas waiting in line for a little attention.

Even so, a Facebook post by friend and fellow writer, Earl Chessher, blew my mind. He wrote that writing 500 words a day would produce a book in about 6 months.

Expounding on that, 500 words a day will give you roughly two books per year, depending on length. 1,000 words a day, 4 books. 2,000 words a day, 8 books. You can do the math from there.

Every writer is different in their abilities and available time. For me, with a full-time job and two kids, 500 would be easy, 1,000 wouldn’t be much problem most days and 2,000 is doable more than once a week. Once I realized that, I had to ask myself: Why haven’t I been writing more?

My first and only book, Secrets of Retail, was self-published in mid-2010. Nearly four years later it’s still my only published novel, self-published or otherwise. From the simple math above, I should have at least seven published books by now.

Okay, seven books in under four years is a little unrealistic for me, especially since there are so many other components in the process. The manuscript goes through various drafts, editing, beta-readers, more editing, more readers, then editing, editing, and more editing. Then, if you take the self-publishing route, there’s still cover design, layout, distribution and much more. So seven is wishful thinking, but one is kind of embarrassing.

The task of completing a book, whether you’re self-publishing or not, is daunting, but achievable. Hundreds, if not thousands, of writers are producing a book, or two, or more every single year.

Appropriately, Earl didn’t only inspire me to be a more prolific writer, he’s a major generator of the written word. In the past five years he has written and published 19 titles including non-fiction books, anthologies, short stories and novellas. Two more are being professionally edited during the writing of this post, soon to be set upon the world.

Another of my most prolific friends is Kelvin V.A. Allison. Since 2008 he has churned out 21 novels even though his time is split between writing, work, family and full-time university.

Earl isn’t a full-time writer and neither is Kelvin. How can they manage every day life and still maintain the output that they do? What’s the secret?

The secret is simple. Some would call it hard work, others drive, but I think the most appropriate word would be discipline.

Earl sits down every day, whether it is first thing in the morning or late at night (sometimes both) and aims to add 3,000 words to the project he’s working on.

Kelvin makes notes everyday on the bus to and from university, and once his household is asleep he sits down to write until 3 AM, consistently aiming for 3,000 words.

The key isn’t the goal of 3,000 words. The goal can be any number of words. The key is consistency. Earl writes every day. Kelvin writes every day. It’s part of their daily schedule and through that discipline it has become part of who they are.

You may ask: How does one stay so disciplined? Since I’m obviously not the best person to ask, I’ve found some answers from writers that never seem to stop producing.

Get Motivated – This could be the most important part. If you don’t have something burning inside of you to make you sit down and write, it’s going to be very difficult. Find things that inspire you to write.

Read and listen to interviews with authors. A lot authors tell their story about being a regular person and  succeeding through hard work and perseverance. Find a hero and keep him or her in mind.

Clip out inspirational sayings, quotes or lines from your favourite authors and books. Keep them someplace where you’ll see them often. A personal favourite of mine comes from Fight Club by Chuck Palahniuk: “This is your life and it’s ending one minute at a time.” Sounds grim, I know, but it reminds me not to waste too much time.

Set a Schedule – No one says you have to write every single day. However, if you want your writing to become a habit, a discipline, set a schedule and follow your schedule.

Three days a week, five, one. Set it and follow it.

Set Reasonable Goals – If you’re just starting out and you don’t know what a reasonable word count is for you, start out with an amount of time. 30 minutes, an hour, two. Start with an amount you know you’re going to be able to commit.

Record how many words you write during each writing session. Once you’ve done 10 – 15 sessions you’ll have a fairly accurate idea of how many words you can handle per day. At that point you can decide to change to a word count goal, or keep going with an allotted time. It’s all up to you.

Don’t Beat Yourself Up – If you miss a writing session don’t beat yourself up, no matter the reason. It’s a sure path to failure.

Beating yourself up is negative reinforcement and, unless you respond well to that, it’s best not take part. Feeling negatively toward yourself may cause you to feel like you’re not a real writer and that you never will be. That negatively could spiral downward until you ask yourself, “What’s the point?”

If you miss a session, just resolve that you will complete your next scheduled session and then do it!

Join a Community – If you’re not already part of a writing group of some sort, join one. Even if you don’t want to meet with a group in person there is an endless list of groups on the internet that discuss writing on a daily basis.

Nothing gives you a kick in the rear like hearing about how much writing your peers are getting done. You’ll want to be able to stand with them and say, “Me too!”

Why not start today? In six months,  or less, you could have a finished manuscript on your hands. Then you’ll have a new question:

I wrote a book, now what?

Resolutions are Made to be Broken, Aren’t They?

It’s almost been a month since 2013 ended. How many resolutions did you make? How many did you keep? According to FranklinCovery statistics, 35% of people will already have ditched their resolutions by now.

I made a few. Eat healthier, exercise more often and write a little every day.

My eating has gotten better. Not by leaps and bounds, but I’m a believer in taking steps. I’ve always felt that going “cold turkey” (where did that saying ever come from?) is s near guarantee failure.

I’m proud to say I exercise a lot more often since the new year. I worked out consistently through most of 2013, but after I broke my arm in early December I mainly sat around crying in my beer. 2014 brought me back to working out almost daily.

The writing is where I’ve slacked off. Considering how important writing is to me, it sure gets pushed to the side easily enough. Freelance work, home repair, favours for friends and even the working out I mentioned earlier have all pushed writing out of the way, leaving my creative juices drying out for days at a time.

Though I’m not happy with my writing in 2014, I’m not giving up.

Most people’s problem with keeping resolutions is not being 100% certain what you’re resolving to do. If you don’t have a few spare hours a day to work out, don’t make that your resolution. Don’t make a resolution out of something that “would be nice” to accomplish, even if it seems unlikely. In fact, don’t consider any resolution as something that “would be nice.” Consider your resolution a “needs to get done.”

Choose something that you know you can do but aren’t doing now. A lot of people might think that a mistake. Why choose a resolution that’s easy to do? Resolutions aren’t for challenging yourself unless you mean to challenge your own laziness.

If you’re like me and you have a resolution that isn’t going very well, now isn’t the time to despair, and it’s not the time to say, “Well, I’ve already screwed it up, I might as well jump ship.” It doesn’t have to be all-or-nothing. There are other ways to look at it.

Keep at it – Just because you’ve missed a day or two, or even a week or two doesn’t mean you can’t pick it back up. No one ever said you can only start doing something on January 1st. Gyms may see a membership boom in January, but there’s just as many people that sign up in the summer when they realize they don’t fit into last year’s bathing suit anymore.

Change it up – Maybe you were a little too over zealous. If your resolution was too much to handle take it back a step, but keep it in the same vein. Don’t have time to work out for 2 hours a day the way you resolved? Pull it back to 1 hour or 45 minutes. Even 20 minutes is better than nothing, isn’t it? I know, eating a Snickers bar is even better, but we’re getting off topic.

Resolve to do it later – Things come up that take you off track. A broken arm, just as a random example. If this is the case, don’t just give up. Set a new start date when your obstacle will have been taken care of.

If it’s something that’s good for you, find a reason to keep going. There’s no reason to be part of the 35% that have already quit on their resolution. And if you didn’t start anything for the new year why not start a mid year’s resolution?

Looking Toward NaNoWriMo!

With the second draft of Living Legend done and into the hands of my beta readers, I have a month to fill before NaNoWriMo begins. What to do…

Getting this website looking presentable would be a start! Without a daily word count weighing on my mind, perhaps I’ll finally be able to get my 3 W’s in order.

Secondly, I have a few short stories I’d like to write in October. One of which is a Zombie short that will be on Amazon in time for Halloween.

Lastly, and perhaps most importantly, my NaNoWriMo story will be planned out. Yes, I am a chronic outliner. Without an outline there’s not way I’d be able to write 50,000 words in the month of November. Here’s a little sneak preview to what my NaNo story will be about.

In the year 2037, the ultimate vacation is to take control of another person’s body for one week. Vicarious, the most successful travel agent, acquires the most desirable people in the world as their assets.

 

When Eric Wikstrom, the most popular and highest paid asset in the business, finds himself in the middle of a murder scene it seems everyone wants him dead, including his employers at Vicarious.

That’s right! Sci-fi! I’ve never tried science fiction before, beyond the odd short story that wasn’t very good. What makes me think I can write an entire book when I can’t even make a short story work? Cockiness, and an idea that I’m really excited about.

If you’ve ever though about writing a book, I highly suggest you try NaNoWriMo, staring November 1st. If you make it through the month, and maybe even if you don’t, it will train you to do a little bit of writing each day, and really, that’s the secret of continually finishing what you’re working on.

Legendary Draft

With NaNoWriMo just over a month away I’ve gone into overdrive on finishing my work-in-progress by October. That’ll give me a month to plan out my NaNo book, write some short stories that have been on my mind, spend a little more time on this mess of a website and just take a few days of down time.

“What am I working on,” no one asked. Excellent question.

I’m nearing the end of the second draft of upcoming book, Living Legend. Since it hasn’t been talked about on this site yet, here’s a little about it:

Rory Stewart and Harvey Chase are at war.

 

Rory has lived the last 30 years of his life along the southwestern shore of Loch Ness. He stands vigilant as the self-appointed protector of a creature he can’t even be sure he’s ever seen.

 

Harvey is a man of considerable wealth and resources, whose favourite hobby is hunting down creatures of legend and myth.

 

Having dealt with tourists, scientists and would-be hunters over the past 3 decades, Rory will have to be at his  best when Harvey, an unequaled adversary, sets his sights on the fabled “Nessie”.

 

Rory will have to use every trick and wit at his disposal to protect the legend he loves from the fame-seeking Harvey Chase. If Rory loses it could mean the capture of a legend, or worse yet, proof that she never existed at all.

It’s pretty exciting to be nearly done draft two. I have my beta readers really and salivating for the manuscript. There have been many big changes between draft one and two. Assuming the feedback from my readers is mostly positive, it’ll just a need a few more drafts for proofing. Then I’ll be faced with the soul-ripping decision of trying to get it published traditionally or self-publishing.

There’s a lot to that debate, but it’ll have to wait for another post.